Curt's major inker for this seminal period was Murphy Anderson.  Anderson's first collaboration with Swan was the cover of Action Comics 380 in September 1969.  His first story was Action 393 in October 1970.  The Swan/ Anderson team, often called "Swanderson" by the fans, remained together until March 1974, when Anderson left DC to produce comic instruction manuals for the US military.

Primarily known as an inker, Colletta concentrated on romance books before inking Jack Kirby's Thor from 1965-69.  Became DC's art director in 1972.  Inked Curt Swan's pencils on Superman on and off from 1974-83.

Started on the Flash and the Justice Society back in 1948 and went on to a long career working on teen and humor books, including Binky and Jerry Lewis, as well as writing the syndicated strip Dondi.  Inked Superman over Curt Swan in 1973-76 and 84-86.

Worked for Eisner in the forties.  Came to DC in 1968, working primarily as an inker.  Inked Curt Swan from 1974-77. Also edited some DC mystery titles.
 

Began working in undergrounds as David Argo. Started doing background inks for Frank Giacoia and others at Marvel, as well as lettering from 1972-78.  Became an inker for DC in 1978, often working over both Curt Swan and Kurt Schaffenberger.  From 1981 to 1984 he was Swan's most frequent and most sympathetic inker.
 

First inked Curt in 1970 on Superman 230.  He returned for a five issue run in 1977 and again in 1982.

It seems only fitting that the two classic Superman artists of the Silver Age would eventually team up.  So it was that Kurt Schaffenberger eventually got to ink several Curt Swan stories in the mid-eighties.

Born in Columbia. Moved to the US in 1943. Long and varied career, including the Rip Kirby newspaper strip for several years. Inked Curt Swan in 1985-86.  Of Swan's later inkers, Al Williamson is the one he cited as bringing the most to his pencilling.  By 1985 DC had also switched to much better  paper and a higher quality of printing and coloring.  Swan's work looked better than it had in over a decade.
 

Born Eli Katz, Gil began his career as a member of the Simon and Kirby shop and drew Sandman during the war.  Afterwards he worked on many features, including Wildcat (as Gil Stack), Astra, Girl of the Future,  The Trigger Twins and Nighthawk.  In the Sixties he rose to fame as the initial artist on Green Lantern and the Atom before departing for Marvel Comics where he drew Spider-Man, among other features.  He both wrote and drew Superman stories in 1983-84.

Came up through the fanzines in the late sixties, working on Star -Studded Comics, among others,  Broke in a t DC in 1970 doing mystery stories and an occasional World of Krypton back-up story.  Never stuck with one series long, but did Superman/Batman stories for World's Finest and stories for DC Comics Presents, as well as the Superman vs. Shazam tabloid.
He also did a number of Superman covers from 1977 to 1982.

Born in Spain, moved to Argentina in 1952. Came to the US in 1975.    Primarily concentrated on covers and promotional artwork but did draw a few complete Superman stories in 1975-80.

Golden age great and long-time Batman and Flash artist, did a stint on Lois Lane in the sixties and returned to Superman for five stories from 1982-1985.

Lois Lane aritist par excellance, Kurt pencilled 18 Superman stories from 1984 to 1986.  This was a period when a concerted effort was being made to make Superman look like it had back in the 1960's.

Most closely associated with the Legion of Super-Heroes at the time, Keith Giffen drew a number of Superman stories in the 1985-86 runup to the Iron Age revamp, often featuring his creation, Ambush Bug.  The example below is different. It features French comic strip characters Asterix and Obelix.